
I just finished watching Happy Together. It’s a 1997 Hong Kong movie directed by, Wong Kar-wai, one of the most celebrated asian directors of all time. Wong Kar- wai’s movies are characterized by a captivating background score, and a vivid cinematography including bold colour, lightning and framing choices. Such distinct is the cinematography in Wong’s movies that when a character wonders what Hong Kong looks like upside down, he shows an actual shot of Hong Kong upside down. While I don’t deem myself fit for reviewing Wong’s work, I would like to talk about this particular scene from Happy Together, that I really liked.
Happy Together, starring Tony Leung and Leslie Cheung is the story of a gay couple, living away from home, whose already contentious relationship slowly becomes abusive. Lai Yiu-Fai (Tony Leung) and Ho Po-Wing (Leslie Cheung) break up and then reconcile several times. It is a romantic drama, it’s also a story of loneliness, longing for home and family and a lot more.
This one particular scene that grabbed my attention is the scene when Ho and Lai have already broken up but they meet each other again, under not-so favourable circumstances. Ho is broke and needs money. He asks Lai to return the watch he had previously given to Lai. Afterwards Ho asks for cigarette. Lai gives him a pack; but they don’t have lighter. Lai Yiu-Fai, who is already smoking, offers his cigarette to Ho Po-Wing as a lighter. Instead of just taking the cigarette, Ho Po-Wing holds Lai’s hand and lights up his cigarette while looking intently at Lai’s face. The whole scene in black and white gives off a sexually tense aura while still keeping it romantic. The scene ends with Lai Yiu-Fai asking Ho to never look for him again and leaving.
The chemistry between the actors, plus the point of the plot where they are, at which, everything is not over and yet there is uncertainty regarding the emotions that remain. Lai is trying his best to not look at Ho’s face as if he is afraid that he will fall for Ho’s ‘let’s start over’, again for the nth time. Ho’s subtle advance towards their reconciliation and Lai’s restraint makes this scene very memorable. Undoubtedly, smoking has been used in movies as a sensual or glamorous element, but the simplicity of this scene is unique to itself.
Although I have a lot more to say about the movie; from increasing saturation level throughout the movie to dialogues like, “Lonely people are all the same”, it will take another blog to talk about it all. So if you like artistic cinema, it’s never too late to dive into Wong Kar-wai’s work.











